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Altergott rounds/cartoons some of Ditko's edges on the close-up of the
villain's face in the second panel. Still, it is clear Algergott was working
from a very basic palette of pencils. His chief contribution to these two
is the cross-hatching behind the man tied to the chair, in order to have him
stand out. Much of the inker's work in this issue is to provide contrasts,
so the images Ditko has pencilled stand out from one another as more than
just emtpy spaces surrounded by lines.
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